Chinese hanfu meaning

Thumbnail Zwei, Foulard Grand Foulard MaskeradeZhang Zening, a hanfu enthusiast in Nanjing, East China’s Jiangsu province, embarked on an extraordinary journey eight years ago to revive this traditional Chinese attire. Inspired by ancient murals, Zhang, 41, studied the artistry of hanfu in various museums, transforming two-dimensional paintings into tangible and wearable pieces. Her extraordinary craftsmanship has not only delighted hanfu enthusiasts but also captivated the curiosity of young minds, giving them the opportunity to wear historically significant attire during museum visits. Zhang said that she firmly believed hanfu serves as a gateway into the past, allowing people to truly connect with their cultural heritage. At the time, she was one of the earliest enthusiasts of hanfu in China, frequently organizing various hanfu activities in her spare time. Upon graduating from college, Zhang first worked in material research, immersing herself in the laboratory, conducting chemical experiments for the analysis of cementing raw materials. Now the owner of Helu Hanfu Studio, Zhang has collaborated with women’s re-employment organizations, seeking full-time stay-at-home women with sewing skills. Among them were many single mothers who could earn a partial income while taking care of their children, traditional chinese men’s clothing according to Zhang. This coincided with her need for the production of hanfu. In that year, she visited Dunhuang, Northwest China’s Gansu province, and was fascinated by the exquisite murals there, wondering how she could possibly materialize them into beautiful costumes. Eight years later, she managed to restore more than 50 sets. Around 2015, Zhang began to focus independently on the process of hanfu restoration. In the past decade, she has traveled to more than 10 cities across China, constantly studying murals and conducting research to restore hanfu from different dynasties. She cross-referenced different materials including various murals, other cultural relics and literature to make sure that the restoration is as accurate as possible. Zhang related that hanfu restoration is a relatively niche field within the culture circle. Thanks to her work, many young people wear restored hanfu when they visit museums, and Zhang is thrilled to see more of them doing so. Zhang said, adding that wearing hanfu almost automatically gives someone a “dignified posture” because of its intricate nature.

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